Hands down, the best thing about this issue of
CREEPY from 1969 is the cover by Vic Prezio.
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CREEPY #29 - Warren Magazines, Sept 1969, cover by Vic Prezio |
I really like the sexy, sinister with a hint of sleaze vibe going on here with Prezio's cover. I can just imagine plunking down 50 cents for this issue, then trying my best to keep my mom from finding it and throwing it out. Yes, back in the day, mothers had no problem throwing out our prized possessions. I remember finding a couple vintage paperbacks in the garbage that I'd taken from my grandmother's house on one of our trips, but that's another story. Since I was only in 1st grade in 1969 I'm fairly certain I had more interest in Hot Wheels than ghoulish chicks like the one shown here. That would come later.
The table of contents includes the cover story, "The Summer House" by Ernie Colon (art) and Barbara Gelman. Colon's art takes some limited psychedelic (for black & white) turns in a few panels, but nothing as cool as the cover happens in the story. "Angel of Doom" by Jeff Jones (art) and Archie Goodwin is a caveman/fantasy tale that's over and done and forgotten. These and other tales are kind of humdrum, nothing special until "The Devil in the Marsh" which is credited to Jerry Grandenetti (art) and Don Glut (story). I say they're credited in this particular issue, but I'm pretty certain the actual story is by H.B. Marriott Watson. Watson was an obscure Australian writer of mostly adventure and romance tales back in the late nineteenth century. Popular in his day he's pretty much forgotten now. I just happen to own a collection of his supernatural tales, of which "The Devil in the Marsh" is one. It was first published in 1893 and is pretty much the same story appearing almost 70 years later in
CREEPY. I didn't see any mention of his name in the credit however.
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Art by Keith Minnion (2004) in the Ash-Tree Press colletion |
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Art by Jerry Grandenetti / story by Don Glut for Warren Magazines 1969 |
All in all, it's an okay issue for
CREEPY, but just okay. I don't think I'm alone in believing they got more daring in later issues, some of which I'll be sure to look at here. Still, there's nothing like opening one of these vintage mags and smelling the paper and digging the work produced for horror fans back in the day. And no pesky mother clucking her tongue at you, telling you how this stuff will turn you into a degenerate perv.
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