So far I've enjoyed everything I've read by Lawrence Block, so when I saw his collection One Night Stands and Lost Weekends at the bookstore several years ago there was no hesitation on my part for slapping my money down. I've always been a big fan of mid-century crime fiction, but had yet to read Block's short stories from that period. Stories that originally appeared in magazines like Manhunt. Manhunt is one of those magazines that had to have been a real treat for crime fiction fans. I never seem to find old copies of it in the used stores, the way one can with Ellery Queen Mystery Magazine, or Alfred Hitchcock Mystery Magazine. I've got only one issue of Manhunt in my possession, and I found it in a library book sale of all places.
"The Naked and the Deadly" is a novelette featuring private eye Ed London. The case is one of those where the gorgeous doll walks into the P.I.'s office (in this case, Ed London's apartment) and offers him a job that seems way too sketchy for a wise man to get caught up in. In this case, London is hired to pay off a blackmailer whose been putting the screws to our mysterious babe, Rhona Blake. Ms. Blake insists that one payoff to the blackmailer will be sufficient. To sweeten the deal, she pays London two grand, and a roll in the hay. It must be stories like this that had all kinds of book geeks signing up for criminology correspondence courses back in the day. London is a smooth operator. He drinks cognac and smokes a pipe. He can also smell bullshit, even when it's handed to him smothered in expensive perfume. He takes the job, shows up at the agreed upon payoff joint, and takes a ride with the blackmailer into a shootout. Barely escaping with his life, London returns home to his apartment, with the payoff loot, his retainer, and a whole lot of questions for his client, Ms. Rhona Blake. The next morning, London gets a visit from a sleazy lawyer offering him 10 grand to find a client's wayward daughter. The lawyer shows London a picture of the daughter, Rhona Blake, as if you didn't already know that was coming. When London refuses to take the job, the lawyer leaves him with one of those thinly veiled threats that suggests more trouble for London.
"The Naked and the Deadly" first appeared in the October 1962 issue of Man's Magazine. I liked reading it, even though I sort of knew where it was going, having read tons of crime stories with sketchy babes who fall way too easily into the detectives's beds. But that doesn't make these stories any less fun.
I was able find a picture of the the October '62 issue of Man's Magazine online. It's got a cool cover depicting John Glenn as a fighter pilot. Also it features a story about wife swapping. Hmmm...I didn't think that really took off until the 70's, but what the hell do I know anyway. It's kind of sad, knowing that I can't swing down to the nearest drugstore and find magazines like this anymore on the racks.
Tuesday, December 31, 2013
Saturday, December 28, 2013
Amazing Stories - May 1950
This issue Amazing Stories contains the short novel "Slaves of the Crystal Brain", by William Carter Sawtelle. I'm pretty certain that Sawtelle is a pseudonym, but don't ask me why. In addition, there are 8 other stories giving a whole lot of bang for your quarter back in 1950.
This is just the sort of cover that would have hooked me had I been perusing the news-stands in 1950. That and the title, "Slaves of the Crystal Brain" which is a grabber. The story is a decent one that moves at a fairly rapid clip, about a demonic crystal brain hidden under the streets of Chicago in the year 1972. It controls a horde of slaves, in fact normal citizens who've been kidnapped and given "treatment" that saps their identity. Agent Joe January of Federal Security Bureau uncovers the plot of the Crystal Brain during one of his routine security checks on scientist William Atkinson. Seems a couple of renowned scientists have disappeared without a trace, resulting in the security checks of all remaining scientists of note. While visiting Dr. Atkinson's lab, January is told by Atkinson that he knows what's behind the odd disappearances of other scientists. Before he can divulge much further, a black orb appears in the lab and descends upon the unfortunate Dr. Atkinson, erasing him from existence. This black orb is impervious to bullets and any other weapon that January can hurl at it. Also, it seems to have the uncanny ability to eavesdrop on January's intentions. Meanwhile across the city, plucky (well she's described as "wren like" and wearing a dress that needs no extra padding!) Nancy Howard is eavesdropping on her boss, Mr. Lorton, as he converses with someone, or something, behind his fortress-like office on the top floor of his skyscraper. Lorton is one of those almighty bigshots who manages to control most of the city through his wealth and influence. Nancy Howard is convinced that Lorton is behind the disappearance of her brother, one of the missing scientists. Too bad for her, she's right. Lorton discovers her spying on him, and sends her to the Crystal Brain for treatment. You can bet that January and Lorton's paths will cross, in addition to lots of black orbs doing their nasty business at the control of the Crystal Brain. And you can bet that January and Nancy Howard will meet, and when they do, sparks will fly!
This is one of those stories that has way more escapism than any science in it. It's non-stop action, with plenty of cliffhanger chapters to keep the reader hooked. Also, there is just a touch of blood and gore, in addition to titillation, to place the whole thing firmly in the pulp camp.
This issue of Amazing Stories was edited by Howard Browne, which leads me to believe that Sawtelle (whoever he is) was also behind a couple other stories in the magazine. Robert Bloch turns up here for a pithy short story "Tooth or Consequences" about a vampire taking a trip to the dentist. "If This be Utopia" by Kris Neville is one of those claustrophobic stories of a society run amok with security for the health and safety of its citizens.
All in all, some fun stuff, old school style.
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| Amazing Stories, May 1950 - cover by Arnold Kohn |
This is one of those stories that has way more escapism than any science in it. It's non-stop action, with plenty of cliffhanger chapters to keep the reader hooked. Also, there is just a touch of blood and gore, in addition to titillation, to place the whole thing firmly in the pulp camp.
This issue of Amazing Stories was edited by Howard Browne, which leads me to believe that Sawtelle (whoever he is) was also behind a couple other stories in the magazine. Robert Bloch turns up here for a pithy short story "Tooth or Consequences" about a vampire taking a trip to the dentist. "If This be Utopia" by Kris Neville is one of those claustrophobic stories of a society run amok with security for the health and safety of its citizens.
All in all, some fun stuff, old school style.
Thursday, December 26, 2013
Dreams Die First - Harold Robbins
"I have a contagious fungus," I said. "Sort of vaginitus of the hands."
Having gotten my Christmas duties done for the holidays, I found I had the whole day yesterday to do nothing but read another trashy bestseller from the typewriter of Harold Robbins. Dreams Die First, was the third book I started in the past week, and the first one finished. I don't know if that says more about my reading skills, my tastes, or just my state of mind for the holiday season, that I was able to knock this 408 page novel down in less than two days.
What I can say is that this is one of the more off the wall "bestsellers" that I've had the joy of reading. I've never read a mainstream commercial work of fiction before that has as many uses of the C-word in it for describing the anatomy of a woman's body. That and a plot that falls down all over itself with randomness and silliness; more so than the previous novels Harold Robbins novels I've read. Once again, this book must have had a place in a lot of bookshelves in the late 70's if the sales figures for Robbins's novels are to be believed. My question is, who exactly was reading them? Men, women, or horny teenagers?
The plot concerns an ex-Green Beret who decides, through the "help" of his shady uncle, to get into the publishing business. We meet our hero, Gareth Brendan, as he wakes up in his apartment next to a naked young man, with no memory of the night before. Gareth is unemployed and out of prospects. He tells us he's a Vietnam veteran who was forced to pull an extra year in the military to keep from bad mouthing the war, or something like that. Gareth's bio is sort of made up along the way, as if Robbins wasn't exactly sure himself. Gareth gets a ride from his loan-shark, referred to as "the Collector" to the unemployment office where he flirts with pretty clerk named Verita. Outside, Gareth gives his last unemployment check to The Collector, and is offered the possibility of a job by the Collector's boss, Lonergan. With no other means of support forthcoming, Gareth agrees to meet Lonergan personally after midnight that night. Until midnight, he'll spend the evening in Verita's bed giving her multiple orgasms.
Lonergan's offer to Gareth involves taking over an underground street rag named Hollywood Express that's fallen on hard times. Lonergan figures that he'll use the Hollywood Express for a money laundering operation. Gareth decides that he might as well turn the Hollywood Express into a porno rag and make a lot of money. Oh yeah, and it turns out the Lonergan is Gareth's uncle. Oh yeah, and Verita is a CPA, but can't work as an accountant because "Chicanas" can't get work as Accountants. Oh, and Verita also has a law degree, but that isn't needed until later on in the plot. Also, Gareth is the son of rich mother living in Bel Air. Anyway, all that comes in handy as Gareth turns the Hollywood Express into a successful weekly porn magazine, with the help of some shady characters connected to a group "back east." Also, it turns out the boy Gareth woke up next to on page one of the novel is the son of a Christian guru type celebrity named Reverend Gannon, who is okay with all the hedonistic life-styles practiced by his son Bobby (who is gay) and his youth group, as long as they're cool with Christ in the meantime. The whole plot is a "seat of the pant's" ride with the distinct feeling that Robbins was literally making shit up as he typed. There is the insider's look at the business of publishing porno, a sex cult, tons of pure coke inhaled, Mexican drug lords, a gay "terrorist" organization, a Latino gang run by Verita's cousin, who also happened to serve with Gareth in Vietnam, and some shootouts, lots of sex, sex therapy, a couple of karate chops, some gay torture, and yes, by the end of the novel, true love overcoming all.
All the characters display the compulsion and self control of your average teenager, only with lots of money and freedom with which to pursue their whims. Everyone falls in love instantly and has explosive orgasms throughout.
Now that I think about it, maybe all those readers back in the 70's were teenagers between Stephen King novels...who knows. As for me, will I read anymore Harold Robbins? Yeah, you can probably bet on it.
Having gotten my Christmas duties done for the holidays, I found I had the whole day yesterday to do nothing but read another trashy bestseller from the typewriter of Harold Robbins. Dreams Die First, was the third book I started in the past week, and the first one finished. I don't know if that says more about my reading skills, my tastes, or just my state of mind for the holiday season, that I was able to knock this 408 page novel down in less than two days.
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| Pocket Books, September 1978 |
The plot concerns an ex-Green Beret who decides, through the "help" of his shady uncle, to get into the publishing business. We meet our hero, Gareth Brendan, as he wakes up in his apartment next to a naked young man, with no memory of the night before. Gareth is unemployed and out of prospects. He tells us he's a Vietnam veteran who was forced to pull an extra year in the military to keep from bad mouthing the war, or something like that. Gareth's bio is sort of made up along the way, as if Robbins wasn't exactly sure himself. Gareth gets a ride from his loan-shark, referred to as "the Collector" to the unemployment office where he flirts with pretty clerk named Verita. Outside, Gareth gives his last unemployment check to The Collector, and is offered the possibility of a job by the Collector's boss, Lonergan. With no other means of support forthcoming, Gareth agrees to meet Lonergan personally after midnight that night. Until midnight, he'll spend the evening in Verita's bed giving her multiple orgasms.
Lonergan's offer to Gareth involves taking over an underground street rag named Hollywood Express that's fallen on hard times. Lonergan figures that he'll use the Hollywood Express for a money laundering operation. Gareth decides that he might as well turn the Hollywood Express into a porno rag and make a lot of money. Oh yeah, and it turns out the Lonergan is Gareth's uncle. Oh yeah, and Verita is a CPA, but can't work as an accountant because "Chicanas" can't get work as Accountants. Oh, and Verita also has a law degree, but that isn't needed until later on in the plot. Also, Gareth is the son of rich mother living in Bel Air. Anyway, all that comes in handy as Gareth turns the Hollywood Express into a successful weekly porn magazine, with the help of some shady characters connected to a group "back east." Also, it turns out the boy Gareth woke up next to on page one of the novel is the son of a Christian guru type celebrity named Reverend Gannon, who is okay with all the hedonistic life-styles practiced by his son Bobby (who is gay) and his youth group, as long as they're cool with Christ in the meantime. The whole plot is a "seat of the pant's" ride with the distinct feeling that Robbins was literally making shit up as he typed. There is the insider's look at the business of publishing porno, a sex cult, tons of pure coke inhaled, Mexican drug lords, a gay "terrorist" organization, a Latino gang run by Verita's cousin, who also happened to serve with Gareth in Vietnam, and some shootouts, lots of sex, sex therapy, a couple of karate chops, some gay torture, and yes, by the end of the novel, true love overcoming all.
All the characters display the compulsion and self control of your average teenager, only with lots of money and freedom with which to pursue their whims. Everyone falls in love instantly and has explosive orgasms throughout.
Now that I think about it, maybe all those readers back in the 70's were teenagers between Stephen King novels...who knows. As for me, will I read anymore Harold Robbins? Yeah, you can probably bet on it.
Saturday, November 23, 2013
The Case of the Vagabond Virgin
Out of the more than 100 Perry Mason novels, I think I've read about a dozen. I've yet to be disappointed in them, forgiving the thin characters and the sometimes repetitive dialog. Instead I admire the puzzles and the twists, just like any other whodunit fan out there would. Oh, and not to mention the usually wonderful covers these capers came wrapped in.
Published in 1948, The Case of the Vagabond Virgin is sort of a neat little case, in which Mason's client, John Racer Addison, picks up cute little hitchhiker, Veronica Dale (the vagabond virgin of the title) and winds up being charged with the murder of his business partner, Edgar Z. Ferrell. Veronica has a knack for making men fall all over themselves in fatherly devotion to the protection of her innocence, in spite of the fact that she's got this habit of picking up rides with strangers. Addison, a wealthy manager of a department store, is no different. He's a blowhard, pompous, arrogant, pushy, and a dunce when it comes to babes like the "virginal" Veronica Dale. Also in the mix is a sleazy little blackmailer named Eric Hansell, who seems to conveniently know just the opportunity needed to put the squeeze on guys like Addison. The case follows some pretty typical twists, involving forged checks, an impostor, confusing timelines, tricky business transactions, and a couple of dames who have no problem lying through their lipstick. And of course, the neat courtroom shenanigans that these books are famous for.
Mason has been around forever in books, movies, and television. I can't help but see Raymond Burr as Mason whenever reading one of the novels. Same with William Hopper as Paul Drake. But I'll admit that I have to force myself to envision someone besides Barbara Hale when it comes to Mason's assistant, Della Street. Hale never did it for me in the TV shows. Instead I'd rather picture a babe more resembling Modesty Blaise. It's an effort, but I'm up to the task.
Now this would be a Della Street no guy could ignore!
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| Pocket Books, 1953 |
Mason has been around forever in books, movies, and television. I can't help but see Raymond Burr as Mason whenever reading one of the novels. Same with William Hopper as Paul Drake. But I'll admit that I have to force myself to envision someone besides Barbara Hale when it comes to Mason's assistant, Della Street. Hale never did it for me in the TV shows. Instead I'd rather picture a babe more resembling Modesty Blaise. It's an effort, but I'm up to the task.
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| Artist Robert McGinnis |
Saturday, November 2, 2013
Scenes of the future that never was...
Collection of cool science fiction paperbacks that I've recently purchased. I love covers like these and wish there were more of them in my library. One of the most annoying things some booksellers do is paste their price stickers on them, which was the case with a couple of these. That's why the scarring on the cover of Get Out of my Sky. Thankfully, that didn't happen to any of the others. Paperbacks like these are wonderful old soldiers, that have survived decades in the desert, beaches, pools, winters, summers, planes trains and highways of America.
Away and Beyond - A.E. van Vogt
A.E. van Vogt is at his best in small doses. I've given some of his "novels" a go and typically bail on them before the halfway point. The problem, as has been well documented by way more scholarly types than myself, is that the novels are patch-worked up from previously published stories, often resulting in a confusing mess. Yes, moments of pulp glory will occasionally "pop!" (with exclamation points added just in case you're dozing off) but not to the benefit of a particularly enjoyable reading experience.
His short stories are where he shines, glitters, pops and zooms at his best. You can usually get through them fast enough without thinking about them too hard. Which is a good thing. They don't stand up to critical scrutiny at all. There is all sorts of cool shit happening, but not a hell of a lot of it ever makes any sense.
I picked up this collection, along with a couple other vintage science fiction collections, for the measly price of a buck at a store closing down business. I'd read a few of van Vogt's stories in other collections, and outside of "Black Destroyer" and "Vault of the Beast" don't remember any of them. This collection opens with "Vault of the Beast" which I hadn't read in more than 30 years. I have to admit that the beginning of the tale really hooks you, where we meet a stowaway alien aboard a space freighter returning to earth. If you've seen The Terminator 2 you've got a pretty good idea of what the alien is capable of. And here in 1940 he's just as murderous in his mission to find a mathematician from Earth who can solve a riddle of the ultimate prime number, which will release a godlike alien trapped in a massive vault on Mars. Got it?
"The Great Engine" is about a war veteran who finds a piece of what may be part of an engine that propels a starship. There is government conspiracies in this one that get a little flaky, and something of a love story as well. "The Great Judge" is one of those tales that take place in a future Utopia where freedom of thought is frowned upon. "Secret Unattainable" is probably the best story in the book, told through a series of letters and correspondence about a scientist building the ultimate weapon for the Nazis in WWII. A.E. van Vogt has a tendency to shift POVs and scenes unexpectedly with jarring effects. Here in "Secret Unattainable" that habit is nullified by the epistolary method used. "The Harmonizer" is an alien plant, I think, but I wouldn't swear on it because I bailed out early. Maybe I'll go back and finish it. Same with "Heir Unapparent" where a galactic emperor has been poisoned by someone in his court. I didn't really care, so I didn't hang with the story. "The Second Solution" is reminiscent of "Black Destroyer" with a telepathic alien "monster" and her offspring stowing away on an Earthbound spaceship. There is reference made to a war with the Rulls, a wormlike like race of invaders wherein the ezwals, telepathic monsters like the ones on the spaceship, could possibly serve as allies and...oh, don't think about it too much...just dig the chase and bloodshed instead. "Film Library" is a "Twilight Zone" kind of story where short movies in 1946 somehow get switched for movies made in 2011. It's kind of fun, and ends with a scientific sounding gobbledy-gook explanation of how time is relative to a moment here and simultaneously somewhen else and...yeah, it's really not important. "Asylum" is pure pulp fever-dream with space vampires and horny babes, and bloodsucking and alien chases, and suppressed identity hoohaw that is pulled out of the air. It's long, but short enough to not fall apart.
That's the deal with this collection. A.E. van Vogt's books and stories are really easy to find in used bookshops. He remained in print well into the 70's. Maybe there was a lot of nostalgia for the pulp adventure and wonders of his his stories. Sophisticated readers today can appreciate their place in the genre's history. Other readers will be bored and unimpressed. You just got to be in the mood for them, and you'll have fun. Like candy, best in small doses.
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| Jove/HBJ Edition - November 1977 |
I picked up this collection, along with a couple other vintage science fiction collections, for the measly price of a buck at a store closing down business. I'd read a few of van Vogt's stories in other collections, and outside of "Black Destroyer" and "Vault of the Beast" don't remember any of them. This collection opens with "Vault of the Beast" which I hadn't read in more than 30 years. I have to admit that the beginning of the tale really hooks you, where we meet a stowaway alien aboard a space freighter returning to earth. If you've seen The Terminator 2 you've got a pretty good idea of what the alien is capable of. And here in 1940 he's just as murderous in his mission to find a mathematician from Earth who can solve a riddle of the ultimate prime number, which will release a godlike alien trapped in a massive vault on Mars. Got it?
"The Great Engine" is about a war veteran who finds a piece of what may be part of an engine that propels a starship. There is government conspiracies in this one that get a little flaky, and something of a love story as well. "The Great Judge" is one of those tales that take place in a future Utopia where freedom of thought is frowned upon. "Secret Unattainable" is probably the best story in the book, told through a series of letters and correspondence about a scientist building the ultimate weapon for the Nazis in WWII. A.E. van Vogt has a tendency to shift POVs and scenes unexpectedly with jarring effects. Here in "Secret Unattainable" that habit is nullified by the epistolary method used. "The Harmonizer" is an alien plant, I think, but I wouldn't swear on it because I bailed out early. Maybe I'll go back and finish it. Same with "Heir Unapparent" where a galactic emperor has been poisoned by someone in his court. I didn't really care, so I didn't hang with the story. "The Second Solution" is reminiscent of "Black Destroyer" with a telepathic alien "monster" and her offspring stowing away on an Earthbound spaceship. There is reference made to a war with the Rulls, a wormlike like race of invaders wherein the ezwals, telepathic monsters like the ones on the spaceship, could possibly serve as allies and...oh, don't think about it too much...just dig the chase and bloodshed instead. "Film Library" is a "Twilight Zone" kind of story where short movies in 1946 somehow get switched for movies made in 2011. It's kind of fun, and ends with a scientific sounding gobbledy-gook explanation of how time is relative to a moment here and simultaneously somewhen else and...yeah, it's really not important. "Asylum" is pure pulp fever-dream with space vampires and horny babes, and bloodsucking and alien chases, and suppressed identity hoohaw that is pulled out of the air. It's long, but short enough to not fall apart.
That's the deal with this collection. A.E. van Vogt's books and stories are really easy to find in used bookshops. He remained in print well into the 70's. Maybe there was a lot of nostalgia for the pulp adventure and wonders of his his stories. Sophisticated readers today can appreciate their place in the genre's history. Other readers will be bored and unimpressed. You just got to be in the mood for them, and you'll have fun. Like candy, best in small doses.
Wednesday, October 23, 2013
Hot Blooded
Quick post today with a picture of some really cool books from back in the day when you could find a horror section at Barnes and Noble. I remember buying these as they came out, up to around Volume 8 or so. It would have been around then that the horror section at B&N got axed, and the only writers found were King, Koontz and Laurell Hamilton. Oh yeah, and the never-ending output of V.C. Andrews. I saw later that the Hot Blood books were reissued in trade paperback, but without the garish covers. My own favorite of this trio is Hotter Blood, mostly because this collection was made up of all original stories, unlike the first volume, Hot Blood, which contained reprints. Not that Hot Blood isn't good. It is. Stories by greats such as Harlan Ellison, Ramsey Campbell, and Theodore Sturgeon among others. My one gripe (a minor one) is that there are few stories from the women in the field offered up. That changed in the volumes to come.
These collections introduced me to new writers in the field whose books I would then go seek out in various bookstores around town. Writers like Ray Garton, Bentley Little and Thomas Tessier. They also contained a spirit of fun about them, like mini-grindhouse flicks, without the sketchy freaks who sit too close to you...unless that's your thing.
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| A Hot Threesome |
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