Classic Psychedelic Rock - Clear Light

To fully appreciate the spectacular sound of double drumming in CLEAR LIGHT, play this record at high volume.

Clear Light - Electra Records

All right, I've played this record loud a handful of times. In fact I'm playing it now as I write this to get into the groove, I can hear the dogs howling outside. But I have to say, I'm not getting the spectacular sound of double drumming. What I do get is a pretty decent psychedelic record from 1967 that pretty much went nowhere when it was released. I'm sure that Electra had ideas of having Clear Light ride the success of their other little combo at the time, The Doors. Hell, the kids really dig that new sound, and here we've got a handful of guys that look like a rock band, so let's sign 'em up, boys!

Members of the band listed on this record are: Cliff De Young - lead vocal, Bob Seal - guitar, Ralph Schuckett - organ, piano and celeste, Douglas Lubahn - bass guitar, Dallas Taylor - drums, Michael Ney - drums & percussion. And to round out the credits we have Robbie Robison - guru and Lee Housekeeper - seer and overseer. Produced by Paul A. Rothchild.

As for the music, it's a pretty fair example of rock and psyche blend. Sometimes it feels like the band is having an identity crises, which might explain why this is their one and only offering as Clear Light. Afterwards members of the band all went on to more successful ventures. Now, almost 50 years later, record nerds like me find their one and only album in plastic wraps stocked among assorted duds and nuggets in downtown record stores. I've seen copies of it a few times since picking up mine. I would imagine the prices asked for it are far more than the guys in Clear Light would have dreamed of. Actually, I didn't pay all that much; $9.99 plus tax; a good deal for a nice clean playing record. You can see a little wear on the edge of the cover, but I'm not complaining. I think it's also been released on CD, so you might see it there in your jaunts downtown.

I still don't get the need for two drummers though...

The Butcher #27 - Kill Them Silently

Her long blonde hair was an explosion of taffy. The alabaster skin was instant luminosity. It glowed like 5000 watts. Her aristocratically straight nose was offset by a mouth so lush and high cheekbones so symmetrical that only the flash of enormously well-formed teeth could take the action away. But finally, inevitably, it was the woman's eyes which topped the bill and delivered the ultimate, finishing stroke to any male within ten feet of her. They spelled out sex and come hither and orgasm. And yes. They were the ocular striptease...Mona Mars, the Golden Girl, was a walking, living piece of ass.

Pinnacle Books, July 1980, cover illustration by Fred Love

This late adventure featuring The Butcher and written by Michael Avallone (under the house name Stuart Jason) clearly has one of those covers that is just about impossible for a paperback fan like me to pass up. The novel itself...well, that's a great cover credited to Fred Love!

Actually, the novel is okay, being pretty much what the cover delivers, assuming that bikini-clad babe with the come-hither look is Mona Mars, the "walking, living piece of ass" herself. And the slimy looking dude there smoking a coffin-nail is chief baddie Malcolm Liddy, who is the brains behind a drug company promising sexual potency renewal to all the silver-cropped future Rush Limbaugh fans out there in middle-America. And yes, Mona Mars is their spokesperson...hell yeah! The thing is, Butcher's outfit, White Hat, isn't buying it, especially after a whistle-blower from the FDA rings their alarm. Butcher's job is to meet Dr. Norma Keating from the FDA and see exactly what it is that has her alarmed about Hanover Health, Incorporated.

Butcher is supposed to meet Dr. Keating at an art-film screening at the MOMA. He's told he'll recognize Dr. Keating because she'll be carrying a hardback copy of the novel Jaws. Of course things don't turn out to be so easy, as Dr. Keating never arrives. Butcher leaves the museum only to find Dr. Keating crawling from an alleyway, the victim of multiple stab wounds. In a vain attempt to save Keating's life, The Butcher comes face-to-face with a shiv-wielding freak described as having an "eagle nose." It's a fight to the death, with The Butcher kicking Eagle Nose's ass, until he's cracked over the head with a loaded lead pipe from behind.

Butcher wakes up in a basement room, where he meets Eagle Nose again, along with Wo Ling (the cat with the lead pipe) and Mona Mars. Mona Mars decides that the Butcher must 'fess up to why he was planning on meeting Dr. Keating, and spill about who he works for. What follows is about 30 pages of Mona and the boys stripping the Butcher and torturing him in an electric cage. But before they commence with the torture, Mona Mars has to make repeated comments about how well-hung The Butcher is, and what a shame it is to waste a prime piece of beef on torture and death. But have no fear, my friends, because it turns out that The Butcher has in his arsenal of secret weapons exploding chewing gum. That's right! All he has to do is convince his tormentors to give him a piece of gum so that he's able to spill his guts without a dry throat. Of course, they provide The Butcher with his gum, and boy are they sorry...all except for Mona Mars, that is.

After killing Eagle Nose and Wo Ling, the Butcher takes Mona Mars back to his hotel, where he threatens to kill her, after an all-nighter of mind-blowing sex. Trouble is, The Butcher, for those fans who've read these novels know, is a marked man with a million dollar price tag on his head courtesy of the mob. There is a whole backstory to catch those readers up who've never met The Butcher before, about how he climbed to the top ladders in the Mafia before chucking it all and walking away. The thing is, no one walks away from the Mafia and lives. But never mind all that...the Butcher and Mona Mars are banging the hell out of each other while trying to figure out the best way to make the other give up the goods, while old enemies from the mob circle off-stage.

Meanwhile, The Butcher's outfit White Hat is poring over the notes that were retrieved from Dr. Keating's files and notebooks, including papers found in the novel Jaws that she was carrying at the time of her murder. And hell yes! there's way more to Hanover Health Inc's pep pills than sexual potency.

I had fun reading this novel. I'm a fan of Michael Avallone's Ed Noon novels, the few that I've read that is, and am pretty certain I've read some of his Nick Carter books as well. I've got a couple more Butcher novels in my stacks of paperbacks to yet read, but I'll probably give them some time before diving in. One can only handle so much testosterone in their literary diet.

On to something by Henry James next...or maybe not!

Planet Stories - The Golden Amazons of Venus

He broke off as the door behind the throne opened and a woman came into the room. It was Olga Stark, now wearing a long gown of shimmering green. Metal strands of the same color were braided into her dark hair, which was crowned by a circlet bearing the design of a rearing serpent. All the officers and courtiers raised their arms in salute. The woman walked over and stood beside Lansa’s throne, looking down at Gerry with a cold and impersonal scorn. It had not taken Olga Stark very long to fit herself into the role of the queen of Giri-Vaaka!

Planet Stories - November 1939 

Boy howdy! That sounds like my kind of dame!

Things have been a bit busier in the summer months for me, so my reading has dipped into some good old-fashioned space adventure pulp lately, in particular a reprint of Planet Stories from November 1939 featuring the “The Golden Amazons of Venus”, described as “A terrific novel of outer-space worlds.”

Of course, I’m not reading the original publication of this story, but a reprint from Adventure House. I have no idea how much the real issue of Planet Stories would go for today, but I’m sure for more than I can afford.

John Murray Reynolds had stories that appeared in Weird Tales, in addition to stories featuring Ki-Gor found in Jungle Stories. Ki-Gor was one of the better Tarzan influenced pulp heroes, and after enjoying “Golden Amazons of Venus”, I’ll have to check out some of the Ki-Gor adventures. 

This tale of “outer-space worlds” is a ripping yarn of the second manned expedition to Venus, aboard the space-ship Viking. The crew of the Viking is led by square-jawed Gerry Norton, along with his 2^nd in command Steve Brent.The chief engineer is Angus McTavish, a wily bearded giant Scotsman with an eye for the ladies. His appreciation ends at chief navigator black-haired and ruby-lipped Olga Stark however. Right off the bat it’s hinted that Olga Stark is less than trustworthy in that she’s finagled her way into joining this expedition to Venus. The purpose of the expedition is to determine what happened to the first manned expedition attempted by the space-ship Stardust, commanded by Captain Walter Lansing. That ship disappeared mysteriously without providing any clues as to what happened. Did it reach Venus? Did it get struck by an asteroid? Did it go off course to be lost forever in the depths of space? It’s a pretty good bet that Gerry Norton and the Viking are going to find out.

To set the scene, it’s several centuries from now and space travel among the planets has been established. Colonies have been set up on Mars with Earthlings living among the Martians. Martians are even members of the Interplanetary Fleet, which comes in handy as we’ll see when our gang lands on Venus. That’s right; they make it to Venus in a matter of weeks. Venus is pretty much what you’d expect in a pulp adventure: a planet covered by clouds, with wide oceans and expansive continents with snow-capped mountains and lush jungles. Our crew finds an area to land and do some exploring. Lucky for them the air is breathable, so no one is hampered by awkward space helmets and breathing tanks. It’s not long before our crew finds themselves in the middle of a race of “golden Amazon” women, naked except for their golden-coned bras and crimson loin cloths. Our Venus gals are in a heated battle with these repulsive scaly gray humanoid beasts armed with some type of gas powered guns. Trusting his male instinct, Gerry and the gang immediately let loose their ray guns on these beasts, referred to from now on as Scaly Ones. You can’t blame Gerry. There’s no question, right? Beautiful vs. Ugly and you know who is going to get the benefit of the doubt. After chasing off the few surviving Scaly Ones, Gerry is introduced to the lead Golden Amazon named Closana. This is where the Martians in the crew come in handy, because it turns out that the Golden Amazons of Venus speak an older version of Martian, and since most earthlings are also versed in Martian the two races can easily communicate.

With that out of the way, Closana requests that Gerry and his crew come to meet her father, King Rupin-Sang at the City of Larr. Within the City of Larr we learn that males of the species are being born at a rate far out-numbered by females. The few males alive hold high places in the court at the City of Larr. There, Rupin-Sang tells Gerry and his crew that their arrival has been foretold in a prophesy that warns “when a red-skinned man and a dark-haired woman and a ruddy bearded giant will come together to the city from afar and that within a month the Golden City of Larr will crumble and return to the dust.” And furthermore, Closana also thinks Olga Stark is a bitch.

Things take a sudden turn when our friends, along with Closana, are captured at a banquet celebrating their visit. They’re whisked away into the underground sewers beneath the Golden City of Larr by an armed force of the Scaly Ones. After several days and nights journey, which includes transportation via submarine pieced together with remains of the missing space-ship Stardust (you remember, the one missing from the first manned expedition to Venus?) our friends are taken the Land of Giri-Vaaka to meet torture and death at the hands of Lord Lansa!

Lord Lansa, it turns out, happens to be Captain Walter Lansing, commander of the ill-fated Stardust. The space-ship Stardust had crash landed in the land of Giri-Vaaka. Walter Lansing and the survivors were discovered by the Scaly Ones. Lansing discovered that the Scaly Ones were prone to manipulation and exploitation, and immediately set himself up as Lord Lansa after having his surviving crew members tortured and killed. And wait, there’s more! Lansing had used the Stardust’s communication transmitter to secretly communicate to one Olga Stark on Earth, recruiting her into his evil plans to lure the second expedition, Viking, into his trap! Now, he and Olga can take over Venus, and with their hordes of Scaly Ones, become rulers of the Solar System! But before that happens, Olga Stark is going to get to torture and kill the beautiful Closana! (Yes, I’m aware of the exclamation points!)

It’s everything that made pulp fun! I had a good time reading this. “The Golden Amazons of Venus” is packed with action from beginning to end, with a fair amount of sex and violence (allowed for, considering it was published in 1939) to spice things up along the way. I’ll be keeping my eyes out for more reprints by Adventure House from now on.

  

The Lonely Lady - Harold Robbins

“What’s she look like?” he echoed. “She’s sensational. Stacked like you would not believe, but very classy. Sort of a combination Ava Gardner and Grace Kelly. She’s the kind who when she comes into your office you want to bend down and kiss her pussy out of sheer reverence. So send me the script and I’ll get on it right away.”

Pocket Book, March 1977

Who knew this is how agents talked about their clients back in the 60s? Why Harold Robbins of course. And there is plenty more dialog like that nugget crammed into this thick blockbuster novel o’ trash by “the world’s best storyteller…”

The Lonely Lady by Harold Robbins is another paperback I’d picked up from a library sale. It’s, I think, the 5^th novel of his I've read in the past year or two and for sheer guilty pleasure it ranks second to The Carpetbaggers in enjoyment. Absent from this novel are the long passages of endless talk that marred The Betsy and The Inheritors. This novel is just as dialog driven as those novels are, but where this novel edges them out is that the dialog drives the story instead of just filling pages. If I were teaching a class in commercial fiction, I think I’d put The Carpetbaggers, or The Lonely Lady, on the syllabus and force all those earnest young English majors out there to check their lit-soaked baggage at the door learn how a master did it.

Yes, the novel is loaded with literary sins like shifting POVs and awkward transitions in time, characters introduced to be dropped without explanation. But if you’re reading a book like this, you’re not looking for something deep to sink your teeth into, you’re looking for something that has no more nutritional value then edible underwear.

The plot of the novel is simple. Nice girl from a small town in New York state named JeriLee has dreams of becoming a writer some day. Her father is barely home from WW II when he passes away suddenly. Luckily her mother meets a nice guy at the bank, John Randall, who falls in love and marries her. He adopts JeriLee and her brother Bobby and moves them all into his house as befits a young banker on the rise in his career. His devotion to JeriLee and Bobby is never in question, and soon the children come to love him as much as they would have their real father.

One day, JeriLee is riding the bus and notices a fellow traveler talking to himself in the seat across from her. She recognizes him as famous novelist and playwright Walter Thornton. Thornton is struck that this pretty high school girl actually knows who he is and strikes up a friendship with her. Thornton is in town working on a new play. He gives her some encouraging words on becoming a writer and a bond is made. From that brief meeting, JeriLee’s path is set. JeriLee is one of the prettiest girls in high school, is a cheerleader, of course, and one of the most popular girls in town. Her boyfriend Bernie plays football and is just as good-looking and popular as JeriLee. Together, they’re that high school couple that made the rest of us want to puke in our Cheerios. It’s all very Father Knows Best, only Harold Robbins decides that he’s got to make JeriLee the most frustrated, horniest girl on Main Street as well. She discovers masturbation and fantasizes about what’s packing under Bernie’s football uniform. Hey, Bernie is human too, and has his own longing for what’s under JeriLee’s skirt. But in spite of his advances, JeriLee manages to keep Bernie at bay. Then one night, she makes the mistake of accepting a ride home with a couple of ne’er-do-wells from the country club where she works. One of them just happens to be Walter Thornton’s teenage son. Along for the ride is Marian, the high school slut. JeriLee is beaten, burned with cigarettes and almost raped when she’s saved at the last minute by Bernie and Fred Lafayette, a young black singer gigging at the Country Club.

Apparently this is the notorious garden hose scene that the Pia Zadora movie adaptation is remembered for. I've not seen the movie, and unless it pops up on some crappy cable channel at some point, probably won’t. I know it has its fans though.

Anyway, JeriLee recovers from the attempted rape and beating, but her rep is shot to shit. She accepts the town’s rumors, decides to give the town and everyone in it a big Fuck You by dating and marrying Walter Thornton. “What is love, Mother?” she asked. “I like him, I admire him, I respect him, I want to go to bed with him.”

Part 2 of the novel is told in 1^st person, and it’s here that we learn that, surprise surprise! Walter Thornton has a lot of self esteem issues. He’s threatened by JeriLee’s burgeoning talent as a writer and an actress. Soon their Manhattan apartment is way too small for both their egos and they split. JeriLee decides that she’s not taking a dime in alimony from Walter, and proceeds to bang her head against closed doors all by her lonesome. She is “ The Lonely Lady” (cue cheesy music). She’s also a pothead and a pill-popper. She meets agents and producers and various sleazeballs, has a lot of sex, a lot of drama and gets fucked over by their bullshit. There is a also a dream she describes in which she is a naked human football, getting screwed and hiked and thrown around by all the guys she’s known, wearing “heavy padded pants” with “no fronts and their huge cocks hung out almost to their knees.” It’s a bizarre passage and Robbins’s attempt at one of those literary tricks professors get off on. Take from it what you will.

Part 3 of the novel we’re back in 3^rd person and witness JeriLee hitting the skids. The drugs, the booze, the sex and poverty have reduced her to stripping for money while writing by day.

The amber spot set in the ceiling over the tiny platform on which she was dancing blurred everything in front of her and the loud acid rock drowned out all the other sounds in the crowded club. Her face and body were covered with a fine patina and the perspiration ran in rivulets between her naked breasts. She gulped for air between smiling parted lips. She was beginning to feel exhausted. Her back and arms were aching, even her breasts were sore from the gyrations of the dance. Suddenly the music stopped in the midst of a wild movement, taking her by surprise. She stood for a moment, then raised both arms over her head in the standard gogo dancer’s bow, giving the customers one last free look as the spot died.

Nothing she turns out from her typewriter opens any doors for her, until a sleazy drive-in movie producer buys one of her “short stories” to turn it into a motorcycle movie. And, thanks to JeriLee’s great tits and ass, she’s the perfect star for the flick.  More booze, more pills, more sex (both straight and lesbian), more motorcycle movies, and soon JeriLee gets offered a shot at porn. Thankfully, sort of, she’s ensnared in a huge pot bust that sends her to county lockup. Luckily, her arresting officer has a soft heart and feels sorry for her. He gives her the name of a lawyer who gets her sprung and later buys an airline ticket back to New York for her, where she ends up in a psych ward. Talking here about a major downward spiral.

And this is where the novel collapses, sort of. Harold Robbins got tired of the story and wraps up the whole resolution of JeriLee’s fall and comeback (I’m sure it’s not a spoiler to say there is a comeback) in quick scenes of dialog and narrative summary. The ending is one of those scenes that can only happen in a trashy novel, proving once again that the reading public out there in the 70s was one weird collective headcase.

Lucky for me, and the rest of us who like this stuff, there is plenty more where this came from. 

Sea-Horse in the Sky - Edmund Cooper

“My dear,” he said lightly. “You must allow me the privilege of a certain quaint hypocrisy. A gentleman never does his nut in the presence of a lady.”

ACE Books, May 1978 - Cover artist David Bergen

Sea-Horse in the Sky, by Edmund Cooper is the first "vintage" (from 1969) Science Fiction novel that I've read recently that provided that "gee-wow" sense of wonder that turned me on to the genre when I was a nerdy kid. No, it hasn't made the upper echelons of Sci-Fi classics, but it’s a pretty cool book anyway, and it would have probably been a favorite had I read it back in junior high.

The novel begins with 16 strangers waking up in coffin-like containers on an empty street in the middle of a plain in seeming wilderness. On one side of the street is a hotel, and on the other side sits a grocery store. An empty cab is parked in front of the hotel, and an empty Saab is parked by the grocery store. The street seems to exist as something seen on a film set, disappearing into forest land in either direction. A hotel, a supermarket and the road, and 16 strangers waking in coffins, with no memory of how they got there.

As the strangers adjust to their surroundings they discover that even though they are from different countries, and speak in different languages, they can each understand each other, as though the speaker is being dubbed into the listener’s native language. They soon come to the realization that all of them were on the same flight from Stockholm to London, and that was the last thing that any of them remember.

It’s one of those setups that was all the rage a couple years ago with shows like Lost and Persons Unknown, and even further back from shows like Outer Limits and The Twilight Zone. Stories like this are irresistible to me, more fantasy than anything scientific. As each stranger overcomes their shock and makes their way into the hotel, they convene in the lobby bar to find it well stocked with much needed libation. Inside the lobby of the hotel they find their luggage waiting. There is no desk clerk, no staff, no one else in the town. Theories are tossed about, guesses are made, hysterics erupt, but eventually they all come to the same conclusion that they've been placed in this setting by unknown means for reasons that have yet to be revealed. Eight men and eight women, strangers to each other except for two married couples.

In addition to the stocked bar of the hotel, they learn that the grocery store is well stocked with canned goods. Nothing fresh, but a supply of food that can be prepared, thanks to electricity and running water at the hotel. The cars are empty props, no engines, no working parts to them. They are all alone and stranded and, it would seem, paired off.

The nominal leader of the group is Russell Grahame, a Londoner, a Member of Parliament and a man at a crossroads in his career. He doesn't particularly want the role of leader, but accepts it dutifully. Introductions are made and roles are established.

I should mention here that Edmund Cooper was a prolific science fiction novelist and reviewer and gained the reputation of a misogynist, so I couldn't help but look for examples of it in the novel. I didn't have to look hard. The women, except for Russian beauty Anna Markova, (who wisely pairs off with Russell Grahame) are mostly relegated to positions of cooking and housekeeping. None are considered apt enough to handle the homemade crossbows and weapons devised by British civil servant Robert Hyman. One is even jettisoned via suicide early in the novel. Even so, I've been exposed to far more overt piggery by other authors, many of whom don’t have the disadvantage of living in another generation than ours. Also, there is a strange sidestep into a diary entry that is worth mentioning. It’s only one chapter, and is written by Robert Hyman, who reveals to the reader that he’s homosexual. Apparently, Edmund Cooper didn't feel like exploring this dynamic any further than this one brief diary entry, because no mention of it is made again. And as for the rest of them, the sex in the novel mostly in the boudoirs behind closed doors, except for one hot rutting scene between a couple of stone-age "savages" who show the stiff-upper-lipped set how it's done.  Also, Cooper was an atheist (not exactly unusual with science fiction authors) so I expected a little bit of religion bashing here and there. The only notable aspect of that is that no mention of God or a Higher Being was brought up. There was no argument among the castaways of a heaven, hell, death or afterlife other than Anna Markova admitting, as something of an afterthought, to Russell that she’s an Atheist. This seemed a little bit strange; however Cooper decides to hold those wildcards for the final chapters, which I won’t give away here.

As the novel progresses, our castaways discover that they’re not exactly alone. The grocery store, the hotel bar, the electricity and plumbing are kept stocked and maintained by invisible guardians. The only conclusion they can draw is that they’re housed in some form of zoo. Also, nightmarish glimpses of spider-like robots are seen, as are flying fairy type beings with flaming hair (don’t laugh!) who can disappear. It's all a bit troubling, and one castaway has a mental breakdown after discovering the spider-bots stocking the grocery store! Another is killed in a hunter’s trap, and still another is dispatched in an failed attempt to trap and follow a spider-bot. In addition to the strange and alien beings glimpsed, it’s discovered that other tribes live in the forests beyond the road leaving town. One is medieval in customs, and the other is almost stone-age in their evolutionary path, barely able to communicate with our modern day castaways.

Cooper paces the novel rather well, in spite of a lot of narrative summary. Perhaps the ending is rushed a bit, but I don’t really have a complaint about that. After all, it’s a paperback science fiction adventure. It’s pretty much a page-turner to be enjoyed and consumed and shelved, or traded in for a Mickey Spillane novel afterward. 

Sunset People - Herbert Kastle

Just three more victims. Random killings as all the others, despite the delightful daydreams. Then he would be safe forever. Then he would become the man he’d always wanted to be, immune from the imbecilic insults and violence the world imposed. Because he could ignore it, knowing what he knew, knowing who he was and what he had done! Could turn a blind eye and deaf ear on it all, smiling, forever smiling. And would be passionate enough, sexual enough, sure enough to handle not only the whale, but attractive women, many of them, on the side. As strong men did. As would be his right, his prize…

Jove, May 1980

Normally, I’m not a fan of serial killer novels. Typically they’re the same old plot, some loony whackjob who can’t relate to women, stalking and murdering them one by one under the cover of darkness. It’s been done so often, and so badly, that I often avoid the altogether. Besides, you can get that same story from CNN and it’s become tiresome. Sunset People by Herbert Kastle could have easily fallen into the same trap that so many serial killer novels fall into, that is, become boring by the whole cliché of the genre. Misfit loser who has spent his life feeling picked on?—Check! Domineering mother?—Check!  Browbeating sexless wife?—Check! Beautiful heroine who becomes the loser’s latest obsession?—Check! Set in Los Angeles?—Check! This novel covers all the bases. So, you might wonder why I should bother writing about it. Well, because this 1980 novel takes the old tropes and sets them up all neatly into a sleazy buffet for you, yet everything about the ingredients seem just a little off. As if the pages you’re turning echo with a quiet snickering between the lines and the joke is on you.

Maybe I’m reading way more into the novel than Kastle intended. Maybe it was written as a by-the-numbers potboiler for a buck. I have no idea because Kastle isn't explaining his motive for cranking out this 381 page bad boy. But I’m thinking there is something more to the novel than just a sleazy serial killer thrill-ride. Kastle seems smarter than that. And, after finishing the novel, I’m almost of the belief that it was an attempt at something of a satire of the genre.

Here we have Larry Admer, the fucked up cop. No, Larry Admer isn’t the brooding alcoholic mess that most cops in these novels are. Instead, he comes across as a petulant prick, by turns praising and berating Diana Woodruff, the heroine of the novel, and the sister of The Silencer’s first victim. As for actually working the case and following the clues…well Larry isn't that kind of cop. His idea of detective work is calling Diana on the phone and bitching to her about why she doesn't put out for him. After all, he reasons, Diana works in a massage parlor, for Christ’s sake! She’s just a cheap massage parlor whore he tells her. Sure, Diana consents to go out with him on a few dinner dates. But those dates are more whining and dining than anything else. It’s no wonder she doesn't put out for him; he’s a complete dick and a crummy detective to boot. And he’s supposed to be the good guy.

Diana Woodruff, the cheap massage parlor whore, is really an intelligent thoughtful young woman who has pretty much accepted that she’s meant to service men without forming any kind of long-lasting bond. This can be blamed on her dysfunctional parents, but that’s too easy a reason. Yeah, her parents sucked, but mostly, she’s got a yen for hot sex without the emotional baggage that comes with it. That’s something Admer can’t seem to quite wrap his ego around. Diana should be more likable a character but is really something of a cipher. There is no window to her soul that one can crawl in through. Until her sister’s murder, she had no anchor in life and nor oar to steer by. 

Diane’s life is mostly working night hours at the Grecian Massage Parlor and reading novels like Portnoy’s Complaint, until the night her sister is shot dead on a sidewalk off Sunset Strip. Immediately, the presumption is that Diane’s sister was a prostitute. Why else would she be out alone dressed the way she was dressed? Diana rightly figures that the cops don’t give a hoot about the death of another prostitute. So she decides to accept Admer’s clumsy advances in the hopes that she’ll learn who killed her sister, so that she can wreak vengeance on the motherfucker herself.

The Silencer, our serial killer, is so named because no one reports hearing any gunshot when he kills. It’s given away in the first chapter of the novel who The Silencer is. He’s a schmuck named Frank Berdon. A short dumpy fat loser of a guy who finds a loaded gun on the street after a mob hit goes haywire, leaving him alone with a dead guy and a loaded gun. The gun itself is a 10 shot .22 automatic with a MAC silencer. For Frank, it means 10 bullets of retribution to unload on all the sluts and bitches who've tormented him, ignored him, made fun of him…you get the idea. You can meet dozens like him on any given Saturday night at the clubs. Since the identity of The Silencer is given, the drive of the novel is watching him unravel as he shoots his way through one victim after another. The one thing they all have in common is not that they’re prostitutes, as The Silencer believes, but that they’re misguided dreamers lured to the Sunset Strip via events that abandon them to the whims of insanity. A rock star’s girlfriend, a jilted lover, an out of work actress who believes she’s the character she once played on TV, a teenage girl escaping from a rapist, to name a few. All of their stories are wrapped into the lure of the Strip, hopeless and ripe for the picking. These are the “Sunset People.”

This is the second novel by Herbert Kastle I've read, the other being The Millionaires, which I also liked. I can’t say why I liked these novels, by all reasons I shouldn't. Maybe it’s just a matter of sordid tales told well. 

Topless Dancer Hangup - Patrick Morgan

He got a street window seat in the café so he could watch all the yummy secretaries jiggle by. Nothing was quite so sexy as a woman dressed up and in a hurry. Click, click, click went the heels, jiggle, jiggle, jiggle, went the push-up bras, chomp, chomp, chomp, went the Cartwright jaws. Floor show during lunch.  

Macfadden Books, 1971

Topless Dancer Hangup by Patrick Morgan is the 6^th novel in the Operation Hang Ten series that eventually numbered 10 books. They’re a cross between surf and spy and detective novels. Bill Cartwright is an agent for Operation Hang Ten, an agency run by a cat named Jim Dana. Dana’s idea of running a spy agency is to recruit his agents from the “teeny-bopper” set. This way he can have his agents blend in on their undercover assignments much better than some Yale graduate in his white socks and black shoes, apparently. Bill Cartwright is just such an agent. He’s a surf bum, with a couple of paternity suits in his portfolio. Cartwright drives a Woody, lives in a trailer, and has a private investigator’s license. The P.I. license is Cartwright’s cover in working cases for Operation Hang Ten.

In this assignment, Cartwright is called to find another Operation Hang Ten agent who has gone missing on her assignment. Cartwright is a little irritated in getting pulled in for a job, after spending the past few weeks surfing the lower Baja coast. Cartwright’s trailer is equipped with all kind of nifty spy gadgets like a radio phone and closed circuit TV. It’s also got a bed just big enough for him and any beach bunny that catches his fancy. He bitches a little bit about having to go and rescue some other agent who’s gotten in over their head, until learning that the missing agent is Sandra Denny, whose cover job is topless dancing.

Denny’s assignment was to purchase a reel of top secret film for $10,000 from a Cuban refugee in Honolulu and deliver it to Hang Ten’s headquarters, but instead the Cuban ends up murdered and Agent Denny is missing. Cartwright ships his Woody and trailer to Honolulu and takes up the search for the missing Sandra Denny. He doesn't have a lot to go on, just the name of the private club where she stripped at.

Cartwright’s first stop in Honolulu is for lunch, where he watches the downtown secretaries hurrying to and fro in their mini-skirts and high heels. Cartwright really gets off in their company, referring to them as “little dollies” and “noisy birds as they quick-stepped with their mini-skirts twitching along every busy street.” You get the idea. It’s almost like listening to Travis McGee.

So, after oogling the girls during lunch, Cartwright decides to pay a visit to the Where It’s At club, where agent Denny did her thing. It’s there he runs into a couple of heavy’s named Tiny and Augie who are on the payroll of the club’s owner, Big Carl. It takes some smart-assed patter and a couple knuckle sandwiches, but Cartwright finally makes it into Big Carl’s office where he announces that he’s looking for his missing dancer. Big Carl really doesn't give a flip, but gives Cartwright Sandy’s home address and the name and address of another dancer, Marie, who was Sandy’s friend.

Cartwright plays private eye and learns that Sandy had a boyfriend named Don Arlen who liked to race cars. Then it’s off to Waikiki for Cartwright, where he can bitch about how all the tourists and posers have ruined all the surf for guys like him. He then takes in a couple waves, flirts with a couple bunnies, plays some volleyball with a girl named Sue, checks out her ass in her tight bikini, buys her a burger and milk shake and has his offer of sex with her shot down. Oh well, all in a day’s work.

The surfing scenes are actually well done and you get the feeling that’s where the author’s real passion is in this novel. And there is a cynical overtone that is also reminiscent of Travis McGee. The novel’s mystery is just an excuse to surf and chase the girls. A good example of that is when Cartwright manages to get grazed by a bullet and blown off his feet by an exploding car, only to have mind blowing sex with Denny’s pal Marie later that same night. I don’t know, but after I get shot and nearly blown up, it takes me at least a day or so before I’m ready to give a chick multiple orgasms…but that probably explains why I sit at a computer instead of surfing and screwing chicks.

Topless Dancer Hangup is kind of a fun novel, if you forgive the heaping doses of chauvinistic piggery that Cartwright (via Patrick Morgan) dishes out. I know I’m a product of a different age, but this stuff is right out of the Rush Limbaugh handbook. I mean, dig this neat little observation, late in the novel:

“Well,” sweet Marie said, “there’s a group of women around who call themselves feminists. They shout and make a lot of noise about equal rights with men and equal pay and equal jobs and—just everything. Most of them are fat and have skin problems and, I don’t know, maybe they think they’ll never get a man to love them, so they want to be equal with men…Well we Pussycats don’t think that way. We have our own magazine, you know, called Adam’s Rib. It says what we’re about. You see, what we think is, girls just have to realize that they are living in a man’s world and that man is, by nature, the boss. But also by nature, we girls are different. Goodness, anyone can tell we’re different from men just by looking at us. I mean, we've got all these soft curves and stuff, and the way we’re put together just makes us built to care for men and—bring them pleasure. After all, wasn't woman created for the pleasure of man?”

Oh baby, hear me roar!