Showing posts with label Harry Whittington. Show all posts
Showing posts with label Harry Whittington. Show all posts

Saturday, July 11, 2015

A Ticket to Hell - Harry Whittington

The door swung open, spilling light around him when he released the knob. The smell of gas was strong. He thrust the door wide open and entered the cottage. It was furnished precisely as his was, but in greater disarray. The man and the woman had been here for some time or were extraordinarily messy. Makeup and lotions littered the dresser top, both men's and women's clothing were strewn all over the chairs. The green bathing suit was wadded on the rug. Near it, in a wide open expensive housecoat, the girl was sprawled. 

1987 Black Lizard Books, cover art by Jim Kirwan
And with that scene our hero Ric Durazo shifts into third gear on his ride into hell in Harry Whittington's 1959 novel, A Ticket to Hell.

I chose to show the Black Lizard Books issue of this novel, since it's the version that I read. Back in the late 80's Black Lizard Books re-issued a number of classics, notably Jim Thompson, David Goodis, and Harry Whittington. The Whittington novels came with an essay entitled "I Remember it Well" that Whittington wrote in 1987. In it, Harry Whittington looks back on his long career as a paperback novelist. I grab these Black Lizard Books whenever I see them. Thanks to them, writers like Thompson and Whittington found new audiences in the 80's and 90's.

A Ticket to Hell is a lean and nasty little novel about a guy with nothing left to lose finding either oblivion or redemption in the ass-end of a desert town deep in New Mexico. It begins as Ric Durazo has just picked up a hitch-hiker in a forlorn desert wasteland. The hitcher is one of those hopped up beatnik types, "jazzing" to their own tune. It's only a few minutes into the ride that he makes the mistake of pulling a gun on Ric, and finding out what road-rash feels like firsthand as Ric boots him back out onto the desert asphalt. It's one of those scenes that foreshadow the kind of journey Ric is going to experience as he reaches his final destination on Highway 58 in Los Solanos, New Mexico.

The motel is named La Pueblo. It's one of those respites from the road that dotted desert highways before the interstates took the adventure out of driving across the country. Cabins among the cactus and sage, corralled around a blue-lit pool where weary travelers smoke and drink whiskey as they plot their various paths in life. The kind of roadside motel with an office manned by a distracted middle-aged Joe and his younger, horny wife. The sort of wife that takes an immediate notice of Ric as he checks in. It's not long before she's offering Ric some personal R 'n R. Only Ric isn't interested. Across from his cabin is a young couple driving a new Cadillac. The girl appears cool, bored and rich and wears a revealing green bathing suit as she lounges by the pool. Her husband is too slick and good-looking for his own good, and spends his time knocking back highballs and shoving the babe in the green bikini around.

Ric has enough problems of his own to pay them all much attention. He's got a broken heart, a tired head, and a suitcase full of money. He's got a history of losing, and a life without a future. And he's in Los Solanos because he's got an appointment to keep. And it's while he's waiting for the phone to ring when he see's the too-handsome young husband from the cabin across the way attempt to kill his beautiful young wife.

A Ticket to Hell is the kind of noir tale that breezes by in a few hours of reading. It's got the kind of plot that moves so fast you don't spend any time looking for the lapses in logic. It's not rational and no one does anything that a "normal" person would do. But that's the fun of it all. Otherwise the motel would be a Red Roof Inn, infested by families from Florida and Kansas with their noisy fat kids yelling in the hallways and splashing in the pool. And that's a nightmare of a whole different order. One that nobody would ever write books about.






Sunday, May 10, 2015

Embrace the Wind - Blaine Stevens

He drew her down upon a mat of sea oats and wild grass. She lay in his arms and opened her lips to his kiss. She tasted so good! An ache of need shivered through him. He pressed himself upon her, feeling the heat rising from her thighs as if from a bubbling cauldron. His hands closed on her breasts. For a long, mindless time, he nursed and caressed and fondled them as if he could never love her enough. With his finger he traced her lips and slipped it between her teeth. She sucked frantically on his finger, breathing raggedly and writhing against him.

Jove, January 1982
What the...? Have I gone all gushy in my reading tastes? Well, no, not exactly. I'm sharing a book I picked up a week ago written by none other than one of my favorite noir novelists, Harry Whittington. Known as the "King of Paperback Writers" Whittington wrote scads of novels under various names, including a bunch of historical romances like the one shown here. This one was published in 1982 and one of three novels under the Blaine Stevens name. Who knows, your grandmother might have a handful of Ashley Carters and Blaine Stevens on her bookshelf. For me, it's another reason to admire those old-school writers like Harry Whittington. Writers write, and in those days, if one had to make a living writing, then producing books outside one's comfort zone was necessary. There was no time waiting for the muse to strike.

I haven't yet read this one. It's part of a handful of Whittington's historical romances from the late 70s and early 80s that I've picked up in the past few months. I'll probably get around to reading it at some point. I'm such a big fan of his noir novels that I'd like to see his approach to writing in the Romance genre. He also wrote a handful of "nurse romances" under the name Harriet Kathryn Myers. Also some sweet vintage sleaze paperbacks that I wouldn't mind finding.

This one, like many of his novels, takes place in Florida, "the pirate coves of Spanish Florida" to be precise. Whittington spent years living and writing in the St. Petersburg area of the Florida gulf coast, so he knows the area well. At the very least, judging by the excerpt above, it promises to be a good steamy one!

Monday, May 27, 2013

Some Good-Old Noir - Web of Murder

"You'll never be so lonely as on a highway driving with a corpse in the back seat." - Harry Whittington in Web of Murder

Black Lizard Books, 1987

Harry Whittington, along with Gil Brewer, is one of my top favorite original paperback writers from fifties and sixties, and Web of Murder is a good example why. Out of the dozen-plus novels I've read by Whittington it's one of the best. It's a simple story of lust and murder, told hundreds of times over the centuries that, from Whittington's typewriter is a tight, taut little masterpiece of noir.

Charley is a lawyer with a semi-successful practice and big plans for himself, beginning with a seat on the bench. He's married to Cora, a stay-at-home wife who has just inherited $500,000 from her father's estate. Unfortunately, Charley is no longer interested in marriage with Cora. He's got his mind on his smoldering secretary, Laura. Laura has lit a torch in Charley that he'd almost forgotten he had after years married to Cora. Only trouble is, Cora refuses to give Charley a divorce. She's made up her mind that she's keeping him. Charley wants Laura and that $500,000 under Cora's throne. How to get rid of Cora and keep the money without the police and the insurance companies sniffing after him and Laura is going to be a problem. But Charley's a smart guy. He's no chump. He's seen plenty of fools try to get away with murder only to get snarled up in their own carelessness. No, Charley's got to be smart, Charley's got to be careful. If he's going to get away with it, he's got to plan everything out, just right, and then he'll have the money, the girl, and everything else with it.

Of course we all know in stories like this, that things aren't going to play out for Charley like he'd hoped. For one thing, there's Victoria, a wealthy socialite who, through Charley's help, shucked her ex-husband while earning herself a nice payoff in the process. Now Victoria would like to have Charley warming her bed for longer than just a weekend. There's also Frank Vanness, a dogged cop who insists that no one gets away with murder as long as he's on the case. And Laura, who says she loves Charley, but is beginning to have second thoughts on this whole murder thing, unless Charley hurries up with it. And finally there is Lou Recsetti, a slimy character who keeps popping up where ever Laura goes, like a bad thought.

The plot spins and the web tightens, things fall apart and violence erupts. You know, just another week in suburbia.

This novel was originally published in 1958 by Gold Medal, but it's been reprinted several times since. If you like this kind of thing, then I would make it a point to find a copy. Unlike Charley, you won't regret it.

Wednesday, April 24, 2013

Hangrope Town

One of my all time favorite hardboiled writers is Harry Whittington. Now here was a guy who wrote like his chair was on fire, churning out dozens and dozens of novels in various genres and under various pseudonyms. I'd imagine that most people today would know him for his noir thrillers; books like Web of Murder, Backwoods Tramp, Fires That Destroy to name a few that have been reprinted thanks to Black Lizard Books. He also wrote westerns, historical romances, nurse novels, TV Tie-ins, and good old-fashioned sleaze. Western fans of the Longarm Series by Tabor Evans may have some of Whittington's novels. Currently Stark House Press is releasing some of his thrillers in nice two-for-one and three-for-one editions.

Ballantine Books
Hangrope Town, from 1964 is a short, fast western about a convicted prisoner returning to Sage Wells, the town that sent him away after serving a five-year sentence. Welker Haines is the bad hombre in question. Welker has spent the last five years in the pen at La Paz for the murder of Kel McLoomis. Kel was the son of the local bigshot George McLoomis, a man who kicks a lot of dust in the territory around Sage Wells. Curt Brannon is the Marshall, who doesn't let anyone, including the reader, forget he earns $40 a month and still wears the same old trail-beaten boots he rode in on. Welker hasn't been content to just serve his time quietly. He's been sending death threats to the various leaders around Sage Wells, letting them know that once he's out, they're nothing but buzzard bait. Not only that, he's been courting Ruby McLoomis from behind bars. Ruby is George McLoomis's hot and wild young daughter, with no more sense then a flea when it comes to picking men. Ruby is also Marshall Brannon's girl. At least that what Brannon thought until Welker returns. The whole town is ready to lynch Welker Haines on sight, particularly George McLoomis and his cowhands. Unfortunately, Brannon's job is to uphold the law, which means there will be no vigilante style lynching under his watch. Before you know it, a corpse turns up with Welker's knife in its back. It's a hell of thing to deal with, and Brannon getting squeezed from all sides. Something has got to give, and when it does, lead's going to fly.

If there is one thing Whittington knows how to do it's plotting a yarn. There are some twists and surprises involved, and just enough doubts to wonder if Haines is truly the evil S.O.B everyone says he is, or just a victim of local prejudices. It's a quick enjoyable weekend read. Just like everything else I've read by Harry Whittington.